It’s like, “Okay, let’s look at 201,” and we’ll do our breakdowns together, where we do page turns on 201, and we say, “Okay, what do we think? Where can we film this? Can we film this in a real space? If not, what do we need to build, if we need to build it? Are we building this as a physical set, or can it be a building as a virtual set or a combination thereof? Is it physical to a certain extent, and then digital beyond that?” Just trying to break each one down to be like, “What’s the most value for this, what’s the most sensible way that covers the need for what we need it to be?” That process is happening now, which is great, and it’s really fun and exciting to be able to sort of have season 1 and behind us to know what we feel worked there, things that we wanted to sort of finesse further, and how that impacts our approach for season 2.” How well did The Sandman perform on Netflix? Netflix Hourly Data for The Sandman Up until pretty recently, I think maybe even two weeks or so, Gary, our production designer, myself and Allan meet over lunch, and we will do a script over that meeting. Allan is still touching up scripts and reworking things, but we have an arc. “We have a really wonderful framework for what we think season 2 looks like. Ian Markiewicz, one of the VFX supervisors on The Sandman, spoke about season 2, saying:
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |